Archive for the ‘Color’ Category

How Color Can Add “Zing” to Your Design and “Ka-Ching” to your Sales

Friday, December 30th, 2011

How Color Can Add “Zing” to Your Design and “Ka-Ching” to your Sales

January  2012

Vibrant colors add an exciting dimension to your marketing materials, but no one has to tell you 4-color graphics cost a lot more to print than black and white or 2-color graphics. How do you determine when it’s cost effective to go the distance and get full color?

In my experience, items such as book covers and video/audio/CD packages need to sell themselves on appearance alone. Often impulse buys, these items merit vibrant colors and attention-grabbing graphics or they fade away on the sellers’ shelves. By a phenomenally higher percentage, buyers are more likely to purchase books with a professionally designed, full-color cover than with an amateur cover that has only one or two colors.

For author Lin McNeil, I designed the second edition of her 7 Keys book cover using fresh graphics and full-color printing. Notice how the full-color cover jumps off the page compared with the original two-color version.

Before

After

When a portrait makes up the central graphic element in your piece, you want it to evoke a warm, personable feeling from the natural flesh tones of a full-color original photo. Add to that a colorful garment and action pose. Together, these color elements draw attention to the photo, which is what you want!

In Diane Sieg’s flyer, notice how her personality comes alive with the use of full color. As a result, the most important graphic element—her colorful fun portrait—becomes the focal point of the page.

Before

After

I recommend cutting back to 2-color graphics for your printed stationery and newsletters. That way, you can save your money for full-color printing on projects that demand more pizzazz—those have to jump off the sellers’ shelves.

Eye-Popping Tip: Printing full-color graphics on a traditional offset press becomes cost-effective in quantities above 1000. In many cases, a quantity of 500 usually costs only $30 less than a 1000. Why? Because the printer’s set-up charges make up most of the initial cost.

Want an alternative to offset printing? Consider opting for digital printing or color copies for quantities below 500. Color copies are priced per page without an initial set-up charge. Do your research and determine where the price break is for the quantity you want to print. That will help you decide which option to choose.

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Karen Saunders is the owner of MacGraphics Services, a unique graphic design firm for today’s entrepreneur. Get your copy of her free audio: Put the Bling Into Your Brand and free eCourse: 5 Deadly Design Mistakes that Could Kill a Sale and How to Avoid Them by visiting http://www.macgraphics.net/FreeStuff.php You can also contact her at 888-796-7300, or Karen@macgraphics.net.

Common Acronyms Used in Publishing, Printing, Design and Graphics

Tuesday, October 25th, 2011

November 2011

Common Acronyms Used in Publishing, Printing, Design and Graphics

Are you stumped by new acronyms that have suddenly as popped up and become part of the current lexicon in the publishing, marketing or advertising arenas? I’ve notice new acronyms are born whenever there is a new leap in technology, such as the emerging field of ebook publishing. Here are definitions of some common and newly coined acronyms you’ll be sure to hear about, if you haven’t already.

AI — Adobe Illustrator

A vector-based graphic file format developed by Adobe.

BMP — Bitmap

A raster-based file format.

CMYK— Cyan-Magenta-Yellow-Black

A four-ink color system used by printers to print full color images. This is “process color” printing.

CTP — Computer to Plate

A technology used in the printing industry. A desktop-published document is imaged directly onto a computer plate, skipping the film negative state.

DPI — Dots Per Inch

A measurement for gauging resolution in printing. In printing it refers to the number of dots placed in a line within one linear inch in a halftone image.

DRM — Digital Rights Management

A proprietary file encryption that helps publishers limit the illegal sale of copyrighted books.

EBOOK —  Electronic Book

A book in electronic form. Ebook files have file extensions of .mobi, .prc, .pdf, or .epub.

EPS — Encapsulated PostScript

A graphics file format developed by Adobe.

EPUB — Electronic Publishing

A file format for electronic books and Web publishing. The Apple ipad tablet with the ibookstore app, the Sony Nook, and the Adobe Digital Editions application all use this format to open ebooks.

FTP — File Transfer Protocol

A standard network protocol used to transfer files from one server to another over the Internet. Very efficient and fast.

GIF — Graphics Interchange Format

A file format developed by CompuServe and is used for bitmap images used on the Internet.

HTML — HyperText Markup Language

Standard coding protocol used for formatting and displaying text and graphics on the Internet. This language is used in formatting ebooks now too.

ISBN — International Standard Book Number

A unique 13-digit book identifier. Publishers purchase a separate ISBN number from Bowker.com for each book and every format of that book.

ISSN — International Standard Serial Number

An 8-digit unique identifier for a printed or electronic periodical publication.

JPG — Joint Photographic Experts Group

A file format was developed by the this group to standardize compressed graphics files. Often used for images on the Internet, photos and large graphics.

LCCN — Library of Congress Control Number

A serially based system for numbering catalog records (books) in the Library of Congress.

MOBI — Mobipocket

A file format for ebooks used on the Amazon Kindle, Mobipocket Reader and other ereader devices.

OCR — Optical Character Recognition

Software that scans images of handwritten or typed words and translates them into editable text. It is widely used to convert printed books and other large documents into electronic formats.

PDF — Portable Document Language

A versatile file format allows you to view the document on a variety of platforms (Macintosh, PC, UNIX, etc) using the free Adobe Acrobat reader.

PHP — Hypertext Preprocessor

A scripting language used to create dynamic web pages

PMS — Pantone Matching System

A proprietary color ink system by Pantone. These premixed spot colors are used in the printing industry.

PNG — Portable Network Graphics

A file format for bitmap images that incorporates compression. It was created to replace the GIF format for Internet graphics and photos.

POD — Print on Demand

A printing technology that allows individual books to be printed one at a time, as they are ordered.

PPC —  Pay Per Click

An Internet advertising model to direct traffic to websites. The advertisers pay the publisher (i.e. Amazon) each time the ad is clicked.

PPI — Pixels per inch

A measurement for gauging resolution in video or printing. In video it refers to spacing between the red, green and blue dots and in printing, it’s the number of pixels that appear in one inch.

PRC —  Palm Resource Code

An alternate file format for ebook documents used on Amazon Kindle, Mobipocket Reader and other ereader devices.

QR Code — Quick Response Code

A square matrix barcode made up of little black and white squares. You’ll see them printed on products, marketing pieces and ads. When you use your smart phone to scan them, you’ll be taken to a website where a video or more information about the product or service is found.

RSS — Resource Description Framework (RDF) Site Summary

A family of web feed formats to publish updated works such as blogs, audios and videos.

SEM — Search Engine Marketing

A form of Internet marketing that promotes web page visibility in search engine results.

SEO — Search engine Optimization

The process of improving a webpage rank with search engines such as Google.

TIF — Tagged Image File

A format for raster-based images such as photos.

URL ­ — Uniform Resource Locator

The address of a particular file or page on the Internet. It usually begins with http://www as in: http://www.macgraphics.net

XTML — Extensible HyperText Markup Language

An update of HTML which works as well or better than HTML, but has certain additional requirements in coding.

FROYO — Frozen Yogurt

Just seeing if you’ve read through the whole list!

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Karen Saunders is the owner of MacGraphics Services, a unique graphic design firm for today’s entrepreneur. Get your copy of her free audio: Put the Bling Into Your Brand and free eCourse: 5 Deadly Design Mistakes that Could Kill a Sale and How to Avoid Them by visiting http://www.macgraphics.net/FreeStuff.php You can also contact her at 888-796-7300, or Karen@macgraphics.net.

Before and After: A Book Cover Case Study

Saturday, October 31st, 2009

November 2009 Issue

Are you writing a book? If you are a consultant, speaker or coach, you may find that publishing a book may boost your credibility, open doors to more opportunities and help you land more gigs or clients. With the Internet at your fingertips and easy access to expert cover designers, editors, illustrators and page layout artists, it is much easier to self-publish a book than it was twenty years ago. You can take the role as general contractor and hire consultants to help assemble all the pieces.

To save money, you may be tempted to do more than just write the manuscript. But I caution you to not venture into areas outside your expertise. One area that should be done with care by an experience designer is your book cover.

Covers that scream “amateur” and have a made-at-home look are difficult to sell. A graphic designer or illustrator has the creativity, skills, software, access to stock photography, and printing knowledge that will make your cover stand out above others in the marketplace.

Shown below are two front cover designs. The first one is from our client, Cecilia Izquierdo, who asked us to use our magic and take her cover illustration to the next level.

The next cover design is the final version delivered by Marty Petersen, a talented illustrator and member of the MacGraphics team. When I first saw Marty’s illustration, it took my breath away. The clouds seemed more “real” to me than real clouds. Does it evoke any strong feelings in you?


Why does Marty’s cover have so much impact? In his own words, here is Marty’s critique on the design elements that make this cover so powerful.

“Designing and illustrating a cover is always an exciting challenge, and I love getting involved with the concept, purpose and psychology of a book’s message. Cecilia came to us with an endearing story and an illustration that provided great starting point, put lacked the punch and sophistication of a professionally designed cover.

I made her composition much more dramatic and evocative with better use of color, depth, balance and dimensional realism.

I created a darker overall illustration to bring the meaningful symbols —the halo, doves, light shafts — to life with dramatic bright tonal contrasts. The original’s softer blue sky and clouds lacked the visual pizzazz that is so important to grab and keep a book buyer’s attention.

The bold and evocative tonal contrasts forcefully direct the viewer’s eye from the light source (halo), down the shafts of light and cloud bank into the lower text, quickly communicating the thrust of the book’s message. The much more realistically rendered doves symbolize the real and spiritual nature of the book. I also used powerful color psychology by playing the colder, darker, less-soothing background tones against the radiant, uplifting tones of the golden illuminated light shafts.

In summary, the tonal contrasts, interplay of hot and cold color hues, and specific placement of dramatic symbolic elements creates much more powerful, communicative and effective cover image.”

— Marty Petersen

Shown below are a couple more covers illustrated by Marty. Here’s a little bit of information on him. He is an established professional commercial illustrator and designer based in the Colorado front range. He’s been in the business for over 26 years, 12 of those being focused in digital media. Marty illustrates science fantasy and children’s books, creates logos, event posters, interface designs, splash screens, static images & layered art for animation, digital photo retouching, technical and medical illustration. A very versatile artist, he can illustrate anything from basic line art to full color highly detailed illustrations in many styles; airbrush, watercolor, pen & ink. All of his creations are completely hand painted, digitally.


The Colony: A Political Tale, was named the First Place Winner in the General Fiction category of the Premier Book Awards. The author, Reggie Rivers received a letter from the Awards Chair who wrote, “The competition was fierce and it was a difficult decision choosing from so many deserving books. However, the judges were unanimous in their selection of The Colony: A Political Tale as a winning novel.”

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What if YOU could know more secrets from an award-winning graphic designer that would help you create amazing marketing materials in a few hours, would you want to know how? Find out now at www.BuyAppealMarketing.com

Karen Saunders is the author of Turn Eye Appeal into Buy Appeal: How to easily transform your marketing pieces into dazzling, persuasive sales tools! Hundreds of business owners have used her simple do-it-yourself design system to create stunning marketing materials that really SELL their products and services! To learn about this indispensable book, click here: www.BuyAppealMarketing.com

P.S. See that envelope icon below this posting? If you click on the envelope you can email this posting to a friend.

Creating a Successful Marketing Piece — 10 Questions to Answer

Tuesday, September 29th, 2009

You may scroll down to see the October issue of Graphics Image Builder, but first I want to share some fantastic news with you.

A card I created of my puppy for my mom won the “2008-2009 Best Heartfelt Card Design of the Year” in the SendOutCards Picture Plus Card Design Contest. This card had already taken first place in July during a monthly contest, but now it is recognized as the best heartfelt card of the YEAR! I am thrilled and honored to receive this recognition. If you want to know how I did this, or learn more about SendOutCards, just pop me an email or call me at 888-796-7300. Here is the front of my card:

This is the inside spread. It is a 3-panel card.

This is the fold-over panel:


October 2009 Issue

Creating a Successful Marketing Piece — 10 Questions to Answer

Are you ready to create a marketing piece, but don’t know where to start? Regardless if you’re doing it yourself or getting professional design and writing help, there are some simple, yet essential steps to follow that will make the whole process go smoothly and prevent costly mistakes.

Listed below are 10 questions to answer before beginning your project.

1. What is the purpose or objective of your piece — to entertain, inform or to persuade? What action do you want your prospects to take — request information, visit your website or call you? Keep your marketing purpose in mind when you write the text, gather visuals to support the text, and set up your design.

2. Who is your intended target audience? Identifying your audience helps you to grab their interest by using a targeted message, persuasive words and appropriate graphics, photos, fonts and colors.

3. What is your graphics theme or brand? Are you creating a multiple-piece campaign? Develop a storyline and stick with it. Your message, fonts, and graphics should all build and support the theme you’ve selected.

4. How will you compose your message? Will you be writing the content or do you need the help of a copywriter or editor? Have you determined the key benefits and persuasive words for your piece?

5. What graphic information will you include? Fill in any gaps you have in your content with illustrations, photos, tables, quotes, and other graphic elements. When you gather these elements first, you’ll have a visual sense of how much space they will take up as you prepare your design.

6. Have you talked with your print shop about print specifications for this project? It’s important to determine trim size (final size of a printed piece), binding, bleeds (the area of a graphic or photo that extends beyond the edge of the trimmed sheet), number of inks, choice of spot inks or process inks, folds and scores (creasing paper mechanically so it will fold more easily) and paper stock before you even begin your design. Get multiple print bids; compare prices, quality and turnaround times.

7. How will your piece be distributed? Get bids and research options for distribution. Will electronic or printed distribution work best? Will the distribution of this piece be scheduled with other media releases?

8. What postal regulations may affect your design? If your piece will be mailed, check with the post office for regulations regarding labeling, folding, size restrictions, the weight of the paper to use, proper positioning, postal cost and exact wording of postal information on the mailer you’re designing. Is it going first class or bulk mail? Will your piece need to be designed to fit into an envelope?

9. What is your schedule? You’ll need to determine a realistic timetable for all processes in your project: planning, conceptualization, writing, editing, designing, proofreading, printing, binding, labeling, distribution.

10. What is the cost for each step in the process in your budget? Create a budget, then take time to shop around for the best prices that come within your budget.

By answering these questions, you will be better prepared for the five steps in the production process—the natural workflow for your project.

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What if YOU could know more secrets from an award-winning graphic designer that would help you create amazing marketing materials in a few hours, would you want to know how? Find out now at www.BuyAppealMarketing.com

Karen Saunders is the author of Turn Eye Appeal into Buy Appeal: How to easily transform your marketing pieces into dazzling, persuasive sales tools! Hundreds of business owners have used her simple do-it-yourself design system to create stunning marketing materials that really SELL their products and services! To learn about this indispensable book, click here: www.BuyAppealMarketing.com

P.S. See that envelope icon below this posting? If you click on the envelope you can email this posting to a friend.

Tips for Designing Award Winning Book Covers

Sunday, March 29th, 2009

April 2009 Issue

A note to my Graphics Image Builder ezine readers: Below my exciting news is some valuable information on how to create dynamic book covers that will attract book buyers.

The MacGraphics Team Produces a Lucky 7 CIPA EVVY Book Awards for Our Clients!


Happy faces from left to right are editor Joyce Miller, editor Melanie Mulhall, author Eric Jensen, myself, graphic designer Kerrie Lian and publisher Mary Anne Harvey.

The MacGraphics book design team produced 7 EVVY awards and one Tech award at the 15th annual Colorado Independent Publishers Association (CIPA) EVVY Book Awards Banquet held Saturday March 28th. The star of the night was my good friend and gifted graphic designer Kerrie Lian. She won a 2nd place Tech award for her compelling book cover design for Tears of a Warrior written by my clients Tony and Janet Seahorn. She also designed the interior of the book. Shown below are myself and Kerrie.


Tears of a Warrior also won a 1st place EVVY Award (overall book design, writing, editing and production) in the Non-Fiction/Experiences category. Tony and Janet had a previously scheduled engagement and were not able to attend the event but they were both very honored to receive the award. My friend and colleague, Karen Reddick did a fantastic job editing the book and Mary Walewski is helping the Seahorn’s market their book.


My client Eric Jensen took home two EVVY awards for his book, Forever and a Day. He won 1st place in the History category and 2nd place in Memoirs. Kerrie’s fabulous cover and interior design was very much a part of those wins. Joyce Miller did a great job editing the book.


Shown above are myself, Eric and Kerrie. Shown below is Eric’s book cover.


Kerrie also designed the cover and interior of But I Don’t Want Eldercare! written by Terry Lynch and published by my client The Legal Center. Mary Anne Harvey of The Legal Center graciously accepted two EVVYs for the book: 2nd place in the Diet/Health/Fitness category and 3rd place in the Parenting/Family category.


Shown above are myself, Mary Anne and Kerrie. Shown below is Terry’s cover.


My client Jim Keelan won a 3rd place EVVY for his book, How to Maintain Your Sanity in an Upside-Down World. My good friend and colleague Melanie Mulhall did an excellent job editing his book and accepted the award on behalf of Jim who wasn’t able to attend the banquet. Kerrie Lian had a hand in this book too. She designed the cover using Fred Eyer’s clever and whimsical illustration. Ronnie Moore designed the book interior. Shown below is Jim’s book cover.


My client Dom Testa won his third EVVY. He took home a 1st place in the Juvenile category for Galahad III: The Cassini Code. This is the third book in his Galahad series to win an EVVY. It was a pleasure to design all three of his covers using David Hardy’s fabulous paintings. Dom mentioned that his Galahad series may be optioned for a movie pilot. How very exciting!


I thoroughly enjoyed working with such a talented group of professionals this year, and I’m excited to create much more collaboration in 2009. Way to go team! Congratulations to all of you.

Tips for Designing Award Winning
Book Covers

Keep in mind these elements when designing covers and interiors for your books, big and small.

Front Cover

The front cover presents your book title, subtitle, and your name. Golden opportunities often overlooked are including endorsements and short testimonials from VIPs.

I recommend using bold, contrasting lettering on the front cover. When choosing colors, consider how these colors will look when converted to black and white so your cover will reproduce well in black and white ads, catalogs, and flyers. Also make sure the font you use for the title is legible from a distance and appropriate for the book’s subject.

Covers that scream “amateur” and have a “made-at-home look” make it difficult to sell your book at all. That’s why it is best to seek the services of an experienced book cover designer. A designer has the creativity, skills, software, access to stock photography, and printing knowledge that will make your cover stand out above others in the marketplace.

Spine
Your name, book title, and publishing company logo show up on the spine. Make sure the information on the spine is clean, uncluttered, and legible. I recommend using bold, contrasting lettering on the spine as well.

Back Cover

Place the category name in the upper left-hand corner to help bookstores shelve your book properly. Write a headline that clearly addresses who should buy the book. It should be followed by sales copy explaining what the book is about and bulleted items listing the benefits to readers.

I recommend including no more than three testimonials and endorsements, as well as your bio and photograph. Close to the bottom, put “sales-closer” copy in bold print. Position the price in the lower left corner of the back cover. Also include the 13-digit ISBN number for cataloging and the bar code in the lower right corner (below ISBN number), which stores use for scanning information and price.

Don’t forget to include credits for your book cover’s illustrator, photographer, and/or designer.

Paper Stock for Book Covers
The standard perfect bound book cover (soft cover) is 10 pt C1S (coated one side). Curl-free film laminate that comes in gloss or matte finish will protect the ink on the cover. UV (ultra violet), aqueous, and varnish can also be used to protect the cover but are not as durable as lamination. Dust jackets are usually printed on an 80# or 100# C1S. In a casebound book (hard cover), the boards can be covered with a B grade cloth, leather, or paper and foil stamped. “Litho” (hard cover) books usually have an 80# C1S Litho paper laminated to a .88 pt. board.

Remember, book cover design is a form of packaging—and good packaging attracts buyers to products. That’s why successful organizations spend millions researching and developing the best product packaging possible.

Next month I’ll share my insights on how to design professional book interiors.

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What if YOU could know more secrets from an award-winning graphic designer that would help you create amazing marketing materials in a few hours, would you want to know how? Find out now at www.BuyAppealMarketing.com

Karen Saunders is the author of Turn Eye Appeal into Buy Appeal: How to easily transform your marketing pieces into dazzling, persuasive sales tools! Hundreds of business owners have used her simple do-it-yourself design system to create stunning marketing materials that really SELL their products and services! To learn about this indispensable book, click here: www.BuyAppealMarketing.com

P.S. See that envelope icon below this posting? If you click on the envelope you can email this posting to a friend.